Tag: Tomislav Brajnović

Anja Puntari’s project Kit Flowknow will be presented on October 13 in Venice.

Gabriele Di Matteo, Questo quadro forse Vi aiuterà a vedere meglio, 1994. Olio su tela, 129 x 70 cm.

Anja Puntari’s project Kit Flowknow  will be presented on October 13 in Venice.

During the last five years, Anja Puntari has extended her artistic research to the field of business, especially business coaching. In the context of this aspect of her investigation, she developed Flowknow, a methodology that uses the artistic approach and artworks for facilitating business coaching; and the Flowknow Cards are tools to apply this approach.

For the Flowknow Cards of Emotions, produced by Performant in collaboration with ECCENTRIC Art & Research, Puntari invited eleven artists from ECCENTRIC: Ivana Adaime Makac, Camilla Alberti, Tomislav Brajnović, Sarah Ciracì, Gabriele Di Matteo, Federico Luger,  Brian Montuori, Anja Puntari, Axel Straschnoy e Massimiliano Viel ; and one invited artist, Teresa Capasso, to feature 3 to 6 images of their works in the cards. The images have been selected by Gabriela Galati together with the artists, and the whole Kit includes also a dictionary of competences (from a previous deck of cards), a glossary of the emotions of this deck, and a catalogue with all the works and images featured on the cards.

The project will be presented on October 13 at Tese dei Soppalchi dell’Arsenale, Venezia.

Per maggiori informazioni su Flowknow e la presentazione si prega di cliccare qui.

Per maggiori informazioni su Anja Puntari si prega di cliccare qui.

Tomislav Brajnović’s exhibition “Armageddon strisciante, dittatura dell’amore” opens at the Museum of Contemporary Art of Istria.

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Tomislav Brajnović’s solo exhibition “Armageddon strisciante, dittatura dell’amore” opens on January 27, 8.30pm at the Museum of Contemporary Art of Istria, Pula.

The exhibition will be open through March 2, 2017.

Museum of Contemporary Art of Istria

Sv. Ivana 1, 52100 Pula
Tel: 052 351 541
E-mail: msui(at)msu-istre.hr
www.msu-istre.hr

For more information on the artist please click here.

 

Il catalogo di Naturalia et artificialia è ora scaricabile dal sito di ECCENTRIC Art & Research

Mentre prepariamo la nostra prossima mostra, potete sfogliare e scaricare il catalogo di Naturalia et artificialia in versione digitale dalla nostra pagina (per il momento, in italiano, in English coming soon!):

Scaricare direttamente / direct dowload

Sflogliare sulla pagina / browse on website

 

Tomislav Brajnović solo exhibition The Crawling Armageddon opens November 4 at the Museum of Modern and Contemporary Art Rijeka.

The Crawling Armageddon by Tomislav Brajnović (Zagreb, 1965), offers a cross section of works created from the end of the 1990s onwards. Many of these works have rarely been presented in public. This kaleidoscopic display gathers approximately twenty works, including installations, objects, ready-made series, videos and acoustic compositions. It represents a relatively short, turbulent history of the new millennium, in which totalitarian elements of the past century return to us like timed bombs. From Odyssey (2004), to The Law of Love, to Soldier in Ripe Wheat (2015), these works reflect on the consequences of frenetic production and exploitation of material resources. Sometimes they express a sound of transcendence, a transcendence that seems elusive in the agony of everydayness, where the clashes of reality are conveyed into the anxious feeling of time flow, moving from silence to turbulence. Hence, the need for reversing the dictate of time and finding a better future becomes crucial, but there is an open question of how to attain this. The author says: The only (im)possible revolution is the revolution of consciousness. Human consciousness today does not differ much from the consciousness that existed before or after the French or October Revolution. Nothing has changed here; the only progress that has been made is the progress in HD broadcast of the never-ending revolution… The idea of Earth as Eden and the question of who (if anyone) can reach it and how, represents the core of my artistic personality.

Curated by: Ksenija Orelj

The exhibition and the accompanying catalogue will be presented in the Istria Museum of Contemporary Art in 2017.
Acknowledgements: Muzej – Museo Lapidarium, Novigrad; the Rovinj Heritage Museum
Support: The Ministry of Culture of the Republic of Croatia, The County of Istria, The City of Rijeka, The City of Rovinj

Photo: Tomislav Brajnović, Wooden Angel , video, 2005.

For more information on the exhibition please click here.

For more information on Tomislav Brajnović please click here.

Naturalia et artificialia. ECCENTRIC Art & Research’s first exhibition in Milan announced for October 12 2016.

Please scroll down for English version

ECCENTRIC Art & Research è lieta di presentare la sua prima mostra che inaugurerà il 12 ottobre 2016 a Milano. La mostra includerà lavori di tutti gli artisti rappresentati fino ad oggi: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì, Baptiste Debombourg, Gabriele Di Matteo, Federico Luger, Brian Montuori, Steve Piccolo, Anja Puntari, Axel Straschnoy e Massimiliano Viel.

Naturalia et artificialia erano due categorie con cui si classificavano le meraviglie esposte negli studioli durante il Rinascimiento. Nel contesto di questa mostra queste categorie sono il fil rouge che attraversa i temi trattati da artisti e opere. Ma non è questa differenziazione in se stessa artificiale? Perché non esiste natura senza artificio, senza il filtro della cultura, né tecnologia o artificio che non partecipi della natura. Questo è il discorso che la mostra intende affrontare.

ECCENTRIC è un dispositivo flessibile senza una location fissa. Naturalia et artificialia avrà luogo nello spazio MyOwnGallery presso Superstudio, via Tortona 27, Milano, dal 12 al 21 ottobre 2016.

Naturalia et artificialia si realizza con il generoso supporto di PERFORMANT, SCOA ed EXEO Consulting.

ENGLISH

ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition will feature the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì, Baptiste Debombourg, Gabriele Di Matteo, Federico Luger, Brian Montuori, Steve Piccolo, Anja Puntari, Axel Straschnoy and Massimiliano Viel.

The title of the exhibition is Naturalia et artificialia, both of the categories with which the wonders exhibited in the cabinets of curiosities during the Renaissance were classified.
In the context of this exhibition both concepts work as the common thread that brings together the diverse topics addressed by the featured artists and artworks. All of them, in one way or another, pose questions about issues that have to do either with nature, or with artifice and technology, and often with both. However, isn’t’ this differentiation in itself artificial, and even false? Because there is no nature without artifice—without the artificial filter of culture—nor technology or artifice which doesn’t participate of nature.

ECCENTRIC is a flexible dispositive with no definite location. Naturalia et artificialia will take place in the space MyOwnGallery at Superstudio, via Tortona 27, Milano, from October 12 through the 21.

Naturalia et articifialia is realised with the generous support of PERFORMANT, SCOA and EXEO Consulting.

Sponsored by:

 

logo-1logo grande MyOwnGallery_LOGO

 

ECCENTRIC now represents the work of Tomislav Brajnović

We are pleased to announce that ECCENTRIC now represents the work of Tomislav Brajnović.

Tomislav Brajnović obtained his MA at Central Saint Martins College of Art and Design in London in 2003. He is Assistant Professor at the Applied Arts Academy, University of Rijeka and teaches courses at the MA in Media Arts and Practices program and New Media at Applied Arts program. He is member of the artist organisations Delta 5 and SIZ, and founder of Studio Golo Brdo and Supper with the Artist projects. His work has been featured in many solo and group exhibitions in relevant spaces in Croatia and abroad.
He received several stipends and awards including Soros Grant, Gunk Foundation Grant and Pollock-Krasner Foundation Grant.
Among the residencies he participated of are worth mentioning Leitrum Sculpture Centre, The Arctic Circle and FMC Kasterlee.

For more information on the artist please click here.